Explore Manna Dey Karaoke
| Product Name | Key | BPM | Karaoke Length | Karaoke Sample Track |
Aaj Bapuni Poonya Bhoomi - MP3
Manna Dey
|
C#m |
88 |
06:50 |
|
Aayo Kahan Se Ghanshyam - MP3
Manna Dey & Archana
|
E |
150 |
03:21 |
|
|
Aayo Kahan Se Ghanshyam - MP3 + VIDEO
Manna Dey & Archana
|
E |
150 |
03:21 |
|
|
Abar Hobe To Dekha - MP3
Manna Dey
|
Cm |
79 |
03:12 |
|
|
Amay Akash Bollo - MP3
Manna Dey
|
D |
110 |
03:21 |
|
Ami Je Jolsha Ghore - MP3
Manna Dey
|
E |
136 |
03:11 |
|
|
Ami Sagorer Bela Tumi Duranto Dheu - MP3
Manna Dey
|
F# |
143 |
03:17 |
|
Ami Shree - MP3
Manna Dey
|
F#m |
70 |
02:58 |
|
|
Baaje Go Beena - MP3
Manna Dey
|
Bb |
87 |
03:16 |
|
Baro Eka Lage - MP3
Manna Dey
|
F |
120 |
03:30 |
|
Behag Jodi Na - MP3 + VIDEO
Manna Dey
|
C# |
82 |
04:14 |
|
|
Behag Jodi Na - MP3
Manna Dey
|
C# |
82 |
04:14 |
|
|
Coffee Houser Shei Adda - MP3
Manna Dey
|
- |
- |
06:28 |
|
|
Ei Nodi Emon Nodi - MP3
Manna Dey
|
- |
- |
03:01 |
|
Ek Janib Shame Mehfil (Without Chorus) - MP3
Mohammed Rafi, Manna Dey
|
Fm |
95 |
04:23 |
|
|
Ek Janib Shame Mehfil (Without Chorus) - MP3 + VIDEO
Mohammed Rafi, Manna Dey
|
Fm |
95 |
04:23 |
|
|
Gahan Megher - MP3
Manna Dey
|
- |
- |
03:28 |
|
Harivansh Rai Bacchan's Madhushala - MP3
Manna Dey
|
Eb |
52 |
30:00 |
|
|
Eb |
52 |
30:00 |
||
|
Hoyto Tomar Jonno - MP3
Manna Dey
|
- |
- |
02:58 |
Frequently Asked
Questions
Questions
1. Manna Dey’s songs are highly classical. Can beginners still sing his karaoke tracks confidently?
While some of his ragas and taans are complex, many of his songs, like Tu Pyar Ka Sagar Hai or Aayo Kahaan Se Ghanshyam, are beginner-friendly due to their steady tempo and clear melodic lines. Start with simpler tunes and gradually move to his more classical-heavy songs.
2. How do I handle the “gliding” notes that Manna Dey uses in semi-classical songs?
Glide notes, or meends, need gentle movement between pitches. Practice sliding slowly between two notes (e.g., Sa to Re) and then apply the technique in the song. This helps maintain smoothness without strain.
